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Stanford University’s Continuing Studies program presents several Dickinson-inspired events this winter:

Soul at White Heat

January 30, 7:00 PM, Dinkelspiel Auditoreum

Dramatic readings of Dickinson’s poems and letters performed by Word for Word and other theater groups, 19th-century music performed on period instruments, and a lively conversation among Dickinson scholars.

The Music Emily Heard

February 13, 7:30 PM, Campbell Recital Hall, Braun Music Center

An evening of parlor music, hymns, and popular song recreates the musical landscape of Dickinson’s time and place. David Giovacchini and ensemble will perform.

The Ghoul of Amherst

March 12, 7:00 pm, Roble Studio Theater

JoAnne Winter of Word for Word will perform Amy Freed’s “The Ghoul of Amherst”, described as “a short, comic vignette set during Emily’s death bed visit to a dying school chum. It addresses with admiration and humor Miss Dickinson’s more grisly preoccupations with the mysteries of the grave.” (This one sounds like particular fun; anyone who has been following along with the mostly-daily poems can’t help but notice that there’s a striking mixture of humor and horror in Dickinson’s meditations on mortality. We here at Daily Dickinson will be doing a little research on Ms. Freed’s work.)

If you’re in the Bay Area this winter, these look like a great way to spend some evenings; they’re all free and open to the public. Any Daily Dickinson readers who attend can drop us a line and give us a review.

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Daily Dickinson fans who find themselves in Sag Harbor, NY, today should make a point of dropping by Canio’s Books, 290 Main St., between 4:00 PM and 6:00 PM, for free tea and gingerbread. And while you’re there, be sure to browse the “[s]helves … crammed with books worth reading” and pester their “knowledgeable staff … eager to make recommendations.”

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‘Tis the busy holiday buying season, all a-glitter and a-dazzle with things that blink and beep and demand our attention. There are still a few quiet corners of commerce, though, and some of them feature items that might delight a Dickinson lover.

At Shakespeare’s Den, find a silk scarf with Emily Dickinson poems printed on it. (Found by way of Cheryl Rainfield; she lists quite a few other items that book lovers would love to find in their stockings.)

littlebuttons offers an Emily Dickinson tote bag at Etsy.

Also at Etsy, papermenagerie offers several Gocco-print cards featuring Dickinson verse and Victorian engravings.

Here’s a lovely little necklace featuring the first two lines of “Hope is the thing with feathers”, at the Signals shop (the Public Broadcasting catalog spinoff).

letterarypress offers poetic letterpress cards.

Inspired by La Pulcina and the Clothespin Repertory Theatre? Start casting your own miniature Amherst opera with a magnetic Emily Dickinson finger puppet.

The Emily Dickinson Museum offers a lovely poster by Penelope Dullaghan.

The official Daily Dickinson 2008 Calendar is available, featuring poems and pictures that have been featured on this site.

And, of course, there are the Daily Dickinson note cards, featuring photos from this site and the words of Emily Dickinson.

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We play at paste

We play at pasteWe play at paste,
Till qualified for pearl,
Then drop the paste,
And deem ourself a fool.
The shapes, though, were similar,
And our new hands
Learned gem-tactics
Practising sands.

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I bring an unaccustomed wineI bring an unaccustomed wine
To lips long parching, next to mine,
And summon them to drink.

Crackling with fever, they essay;
I turn my brimming eyes away,
And come next hour to look.

The hands still hug the tardy glass;
The lips I would have cooled, alas!
Are so superfluous cold,

I would as soon attempt to warm
The bosoms where the frost has lain
Ages beneath the mould.

Some other thirsty there may be
To whom this would have pointed me
Had it remained to speak.

And so I always bear the cup
If, haply, mine may be the drop
Some pilgrim thirst to slake, –

If, haply, any say to me,
“Unto the little, unto me,”
When I at last awake.

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I shall know why, when time is overI shall know why, when time is over,
And I have ceased to wonder why;
Christ will explain each separate anguish
In the fair schoolroom of the sky.

He will tell me what Peter promised,
And I, for wonder at his woe,
I shall forget the drop of anguish
That scalds me now, that scalds me now.

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Another work of performance art inspired by the poetry of Emily Dickinson is Stevan Novakovich’s dance piece, “Hour of Lead.” This work premiered at California State University – Long Beach in October, 2007. Says the Daily 49er:

In the center of the stage, there was a thick, white wall on which the dancers focused their motions, pressing, twisting and supporting their bodies against its surface. Functioning as the verbal or musical backdrop, the voice of an older woman reciting lines of poetry in which Dickinson explores the nature of pain was projected into the audience.

The title is taken from Dickinson’s “After great pain a formal feeling comes”, a poem we haven’t covered yet at Daily Dickinson.

Though she has a reputation for the ethereal, bolstered no doubt by her spinster reputation and white dress, Dickinson could be a surprisingly physical poet, particularly on the topic of pain. Note, for example, The Mystery of Pain, in which she explores the all-consuming nature of pain: pain has “no future but itself,” consuming everything with its white heat. It is entirely appropriate that Dickinson’s pain poetry should be explored in dance.

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Yvonne Hudson, whose one-woman show “Mrs. Shakespeare” received critical acclaim when it played the Tribeca Playhouse in NYC and the Cathedral of Learning in Pittsburgh, turns her attention now to Emily Dickinson in her new show, “The Poet Lights the Lamp”. As Pittsburgh Live notes about the upcoming performance at the Cathedral of Learning on the University of Pittsburgh campus:

Hudson, appearing as Emily, shares the inspirations and tribulations of the writing life. Drawn from Emily’s letters and works, and the observations of those who knew the prolific and reclusive poet, this solo presentation features a replica of the writer’s white dress, designed by Pitt Theatre’s Cindy Albert. Hudson reveals the poet’s sly wit and passion for publishing through Emily’s own words and her original script.

Note that this is NOT “The Belle of Amherst”, the well-known one-woman show about Emily Dickinson that has been revived this season by the Woods Hole Theater Company on Cape Code, the Independent Players in Elgin, IL, Hope College in Holland, MI, and, perhaps most buzz-worthy, Lindsay Crouse with the Gloucester Stage.

Dickinson certainly lends herself well to the intimacy of the one-woman-show format. There is a wink and a nod in most of her poems; they’re not chatty, but they do suggest that the reader lean forward a little bit, listen a little closer, and take away some pearls of wit.

I’ve found precious little about this new show–only a few notes of its October 20 performance–but the title is evocative. It suggests illumination and insight, and also that sort of close intimacy that comes when people sit down together in a dark room with just a dim lamp to cast shadows while they discuss nlife, love, nature, time, and eternity.

If you’re in Pittsburgh for homecoming weekend, swing over to the show ($5 with a student ID!), and then drop us a line here at the Daily Dickinson; we’d love for someone to share a review of this new work if they’ve got a moment to spare.

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