feet

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My wheel is in the dark!My wheel is in the dark!
I cannot see a spoke
Yet know its dripping feet
Go round and round.

My foot is on the Tide!
An unfrequented road –
Yet have all roads
A clearing at the end –

Some have resigned the Loom –
Some in the busy tomb
Find quaint employ –

Some with new — stately feet –
Pass royal through the gate –
Flinging the problem back
At you and I!

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The feet of people walking homeThe feet of people walking home
With gayer sandals go –
The Crocus — til she rises
The Vassal of the snow –
The lips at Hallelujah
Long years of practise bore
Til bye and bye these Bargemen
Walked singing on the shore.

Pearls are the Diver’s farthings
Extorted from the Sea –
Pinions — the Seraph’s wagon
Pedestrian once — as we –
Night is the morning’s Canvas
Larceny — legacy –
Death, but our rapt attention
To Immortality.

My figures fail to tell me
How far the Village lies –
Whose peasants are the Angels –
Whose Cantons dot the skies –
My Classics veil their faces –
My faith that Dark adores –
Which from its solemn abbeys
Such ressurection pours.

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INVISIBLE.From us she wandered now a year,
Her tarrying unknown;
If wilderness prevent her feet,
Or that ethereal zone

No eye hath seen and lived,
We ignorant must be.
We only know what time of year
We took the mystery.

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Me! Come! My dazzled faceMe! Come! My dazzled face
In such a shining place!

Me! Hear! My foreign ear
The sounds of welcome near!

The saints shall meet
Our bashful feet.

My holiday shall be
That they remember me;

My paradise, the fame
That they pronounce my name.

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Michael Gordon offers a new musical and theatrical interpretation of Emily Dickinson’s poetry with “Lightning at Our Feet” which combines music and film into a haunting atmosphere that brings Dickinson forward to the 21st century. The music is “virtuoso chamber music of a sort,” according to the review in the New York Times. From the excerpts available on YouTube, it’s reminiscent of the Cowboy Junkies enhanced by contemporary art music.

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THE BALLOON.

THE BALLOON.You’ve seen balloons set, haven’t you?
So stately they ascend
It is as swans discarded you
For duties diamond.

Their liquid feet go softly out
Upon a sea of blond;
They spurn the air as ‘t were too mean
For creatures so renowned.

Their ribbons just beyond the eye,
They struggle some for breath,
And yet the crowd applauds below;
They would not encore death.

The gilded creature strains and spins,
Trips frantic in a tree,
Tears open her imperial veins
And tumbles in the sea.

The crowd retire with an oath
The dust in streets goes down,
And clerks in counting-rooms observe,
”T was only a balloon.’

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A murmur in the trees to noteA murmur in the trees to note,
Not loud enough for wind;
A star not far enough to seek,
Nor near enough to find;

A long, long yellow on the lawn,
A hubbub as of feet;
Not audible, as ours to us,
But dapperer, more sweet;

A hurrying home of little men
To houses unperceived, –
All this, and more, if I should tell,
Would never be believed.

Of robins in the trundle bed
How many I espy
Whose nightgowns could not hide the wings,
Although I heard them try!

But then I promised ne’er to tell;
How could I break my word?
So go your way and I’ll go mine, –
No fear you’ll miss the road.

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He touched me, so I live to knowHe touched me, so I live to know
That such a day, permitted so,
I groped upon his breast.
It was a boundless place to me,
And silenced, as the awful sea
Puts minor streams to rest.

And now, I’m different from before,
As if I breathed superior air,
Or brushed a royal gown;
My feet, too, that had wandered so,
My gypsy face transfigured now
To tenderer renown.

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