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Just so -- Jesus -- raps --Just so — Jesus — raps –
He — doesn’t weary –
Last — at the Knocker –
And first — at the Bell.
Then — on divinest tiptoe — standing –
Might He but spy the lady’s soul –
When He — retires –
Chilled — or weary –
It will be ample time for — me –
Patient — upon the steps — until then –
Hears! I am knocking — low at thee.

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We -- Bee and I -- live by the quaffing --We — Bee and I — live by the quaffing –
‘Tisn’t all Hock — with us –
Life has its Ale –
But it’s many a lay of the Dim Burgundy –
We chant — for cheer — when the Wines — fail –

Do we “get drunk”?
Ask the jolly Clovers!
Do we “beat” our “Wife”?
I — never wed –
Bee — pledges his — in minute flagons –
Dainty — as the trees — on our deft Head –

While runs the Rhine –
He and I — revel –
First — at the vat — and latest at the Vine –
Noon — our last Cup –
“Found dead” — “of Nectar” –
By a humming Coroner –
In a By-Thyme!

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Sic transit gloria mundi“Sic transit gloria mundi,”
“How doth the busy bee,”
“Dum vivimus vivamus,”
I stay mine enemy!

Oh “veni, vidi, vici!”
Oh caput cap-a-pie!
And oh “memento mori”
When I am far from thee!

Hurrah for Peter Parley!
Hurrah for Daniel Boone!
Three cheers, sir, for the gentleman
Who first observed the moon!

Peter, put up the sunshine;
Patti, arrange the stars;
Tell Luna, tea is waiting,
And call your brother Mars!

Put down the apple, Adam,
And come away with me,
So shalt thou have a pippin
From off my father’s tree!

I climb the “Hill of Science,”
I “view the landscape o’er;”
Such transcendental prospect,
I ne’er beheld before!

Unto the Legislature
My country bids me go;
I’ll take my india rubbers,
In case the wind should blow!

During my education,
It was announced to me
That gravitation, stumbling,
Fell from an apple tree!

The earth upon an axis
Was once supposed to turn,
By way of a gymnastic
In honor of the sun!

It was the brave Columbus,
A sailing o’er the tide,
Who notified the nations
Of where I would reside!

Mortality is fatal –
Gentility is fine,
Rascality, heroic,
Insolvency, sublime!

Our Fathers being weary,
Laid down on Bunker Hill;
And tho’ full many a morning,
Yet they are sleeping still, –

The trumpet, sir, shall wake them,
In dreams I see them rise,
Each with a solemn musket
A marching to the skies!

A coward will remain, Sir,
Until the fight is done;
But an immortal hero
Will take his hat, and run!

Good bye, Sir, I am going;
My country calleth me;
Allow me, Sir, at parting,
To wipe my weeping e’e.

In token of our friendship
Accept this “Bonnie Doon,”
And when the hand that plucked it
Hath passed beyond the moon,

The memory of my ashes
Will consolation be;
Then, farewell, Tuscarora,
And farewell, Sir, to thee!

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THIRST.We thirst at first, — ‘t is Nature’s act;
And later, when we die,
A little water supplicate
Of fingers going by.

It intimates the finer want,
Whose adequate supply
Is that great water in the west
Termed immortality.

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Acacia Theatre Company in Milwaukee, Wisconsin, will perform the world-premier production of Chris Cagan’s “Emily,” a play that tells the story of Emily Dickinson’s life, backwards. The play starts on Easter Sunday, 1860, when Dickinson was 29, and works back to 1848, when she was 17, tracing the origins of her disenchantment with religion and her growing seclusion from the outside world.

“The play begins with the end result – Emily’s seclusion – and works backward to a time when she was more social,” said Director Dr. David W. Eggebrecht. “It’s an interesting perspective, knowing what’s going to happen. It gives you insights into why she became the reclusive poet that she became. The traumas that occurred in her life accentuated her eccentricities and led her to become much more introspective.”

The playwright’s website has an excerpt from the play (in Microsoft Word format), a tense family dinner scene. Dickinson’s poetry is woven throughout, the play adding context to the verse while the poetry illuminates the domestic drama.

Readings of “Emily” have been performed at the Pacific Theatre in Vancouver and at the Drama Bookshop in New York City. Acacia’s performance will be its first full staging.

Performances will be given at 8 p.m. on Feb. 27, 8 p.m. on Feb. 28, 3 p.m. on March 1, 8 p.m. on March 5, 8 p.m. on March 6, 4 p.m. and 8 p.m. on March 7 and 3 p.m. on March 8.

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I meant to find her when I cameI meant to find her when I came;
Death had the same design;
But the success was his, it seems,
And the discomfit mine.

I meant to tell her how I longed
For just this single time;
But Death had told her so the first,
And she had hearkened him.

To wander now is my abode;
To rest, — to rest would be
A privilege of hurricane
To memory and me.

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TRYING TO FORGET.Bereaved of all, I went abroad,
No less bereaved to be
Upon a new peninsula, –
The grave preceded me,

Obtained my lodgings ere myself,
And when I sought my bed,
The grave it was, reposed upon
The pillow for my head.

I waked, to find it first awake,
I rose, — it followed me;
I tried to drop it in the crowd,
To lose it in the sea,

In cups of artificial drowse
To sleep its shape away, –
The grave was finished, but the spade
Remained in memory.

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The distance that the dead have goneThe distance that the dead have gone
Does not at first appear;
Their coming back seems possible
For many an ardent year.

And then, that we have followed them
We more than half suspect,
So intimate have we become
With their dear retrospect.

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