hope

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I never told the buried goldI never told the buried gold
Upon the hill — that lies –
I saw the sun — his plunder done
Crouch low to guard his prize.

He stood as near
As stood you here –
A pace had been between –
Did but a snake bisect the brake
My life had forfeit been.

That was a wondrous booty –
I hope ’twas honest gained.
Those were the fairest ingots
That ever kissed the spade!

Whether to keep the secret –
Whether to reveal –
Whether as I ponder
Kidd will sudden sail –

Could a shrewd advise me
We might e’en divide –
Should a shrewd betray me –
Atropos decide!

Awake ye muses nine

Awake ye muses nineAwake ye muses nine, sing me a strain divine,
Unwind the solemn twine, and tie my Valentine!

Oh the Earth was made for lovers, for damsel, and hopeless swain,
For sighing, and gentle whispering, and unity made of twain.
All things do go a courting, in earth, or sea, or air,
God hath made nothing single but thee in His world so fair!
The bride, and then the bridegroom, the two, and then the one,
Adam, and Eve, his consort, the moon, and then the sun;
The life doth prove the precept, who obey shall happy be,
Who will not serve the sovereign, be hanged on fatal tree.
The high do seek the lowly, the great do seek the small,
None cannot find who seeketh, on this terrestrial ball;
The bee doth court the flower, the flower his suit receives,
And they make merry wedding, whose guests are hundred leaves;
The wind doth woo the branches, the branches they are won,
And the father fond demandeth the maiden for his son.
The storm doth walk the seashore humming a mournful tune,
The wave with eye so pensive, looketh to see the moon,
Their spirits meet together, they make their solemn vows,
No more he singeth mournful, her sadness she doth lose.
The worm doth woo the mortal, death claims a living bride,
Night unto day is married, morn unto eventide;
Earth is a merry damsel, and heaven a knight so true,
And Earth is quite coquettish, and beseemeth in vain to sue.
Now to the application, to the reading of the roll,
To bringing thee to justice, and marshalling thy soul:
Thou art a human solo, a being cold, and lone,
Wilt have no kind companion, thou reap’st what thou hast sown.
Hast never silent hours, and minutes all too long,
And a deal of sad reflection, and wailing instead of song?
There’s Sarah, and Eliza, and Emeline so fair,
And Harriet, and Susan, and she with curling hair!
Thine eyes are sadly blinded, but yet thou mayest see
Six true, and comely maidens sitting upon the tree;
Approach that tree with caution, then up it boldly climb,
And seize the one thou lovest, nor care for space, or time!
Then bear her to the greenwood, and build for her a bower,
And give her what she asketh, jewel, or bird, or flower –
And bring the fife, and trumpet, and beat upon the drum –
And bid the world Goodmorrow, and go to glory home!

Sweet hours have perished hereSweet hours have perished here;
This is a mighty room;
Within its precincts hopes have played, –
Now shadows in the tomb.

DESIRE.

DESIRE.Who never wanted, — maddest joy
Remains to him unknown:
The banquet of abstemiousness
Surpasses that of wine.

Within its hope, though yet ungrasped
Desire’s perfect goal,
No nearer, lest reality
Should disenthrall thy soul.

PARTING.

PARTING.My life closed twice before its close;
It yet remains to see
If Immortality unveil
A third event to me,

So huge, so hopeless to conceive,
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.

Podcast music by Antonio Meneses

Drowning is not so pitifulDrowning is not so pitiful
As the attempt to rise.
Three times, ‘t is said, a sinking man
Comes up to face the skies,
And then declines forever
To that abhorred abode
Where hope and he part company, –
For he is grasped of God.
The Maker’s cordial visage,
However good to see,
Is shunned, we must admit it,
Like an adversity.

Podcast music by Claire Fitch

According to the Dublin Evening Herald, people waiting at the Naas Hospital Kildare and other places around the region will have the chance to read a little poetry instead of just out-of-date celebrity rags and old medical journals.

Poems in the Waiting Room is a pilot arts project funded by Kildare County Council. The idea was driven by Kildare-based writer Kate Dempsey.

It was inspired by pieces of public sculpture dotted across the country. The idea is to make poetry an art form that is available in ordinary everyday places.

The project has a web site, too, from which you can download a poster-sized version of Dickinson’s “Hope,” watch Alan Rickman recite Shakespeare’s Sonnet 130 (“My mistress’ eyes are nothing like the sun”), or read Leigh Hunt’s Jenny Kissed Me, a sweet little poem about Thomas Carlyle’s wife.

Similar to the various poems-on-public-transit projects, like the recent Wilkes-Barrie Poetry in Transit or the famous Poems on the Underground in London, the Poems in the Waiting Room project seeks to slip poetry into the fallow spaces of our lives and enrich the unsuspecting with a few well-chosen words. Given the rate at which video monitors and loud music have colonized gas pumps and grocery-store lines, this incursion of verse is certainly welcome.

FORBIDDEN FRUIT. (II.)Heaven is what I cannot reach!
The apple on the tree,
Provided it do hopeless hang,
That ‘heaven’ is, to me.

The color on the cruising cloud,
The interdicted ground
Behind the hill, the house behind, –
There Paradise is found!

Podcast music by Barry Phillips

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