june

What would I give to see his face?
I’d give — I’d give my life — of course –
But that is not enough!
Stop just a minute — let me think!
I’d give my biggest Bobolink!
That makes two — Him — and Life!
You know who “June” is –
I’d give her –
Roses a day from Zanzibar –
And Lily tubes — like Wells –
Bees — by the furlong –
Straits of Blue
Navies of Butterflies — sailed thro’ –
And dappled Cowslip Dells –

Then I have “shares” in Primrose “Banks” –
Daffodil Dowries — spicy “Stocks” –
Dominions — broad as Dew –
Bags of Doublons — adventurous Bees
Brought me — from firmamental seas –
And Purple — from Peru –

Now — have I bought it –
“Shylock”? Say!
Sign me the Bond!
“I vow to pay
To Her — who pledges this –
One hour — of her Sovereign’s face”!
Ecstatic Contract!
Niggard Grace!
My Kingdom’s worth of Bliss!

Popularity: 4% [?]

For this — accepted Breath –
Through it — compete with Death –
The fellow cannot touch this Crown –
By it — my title take –
Ah, what a royal sake
To my necessity — stooped down!

No Wilderness — can be
Where this attendeth me –
No Desert Noon –
No fear of frost to come
Haunt the perennial bloom –
But Certain June!

Get Gabriel — to tell — the royal syllable –
Get Saints — with new — unsteady tongue –
To say what trance below
Most like their glory show –
Fittest the Crown!

Popularity: 5% [?]

All these my banners be.
I sow my pageantry
In May –
It rises train by train –
Then sleeps in state again –
My chancel — all the plain
Today.

To lose — if one can find again –
To miss — if one shall meet –
The Burglar cannot rob — then –
The Broker cannot cheat.
So build the hillocks gaily
Thou little spade of mine
Leaving nooks for Daisy
And for Columbine –
You and I the secret
Of the Crocus know –
Let us chant it softly –
“There is no more snow!”

To him who keeps an Orchis’ heart –
The swamps are pink with June.

Popularity: 1% [?]

One Sister have I in our house,
And one, a hedge away.
There’s only one recorded,
But both belong to me.

One came the road that I came –
And wore my last year’s gown –
The other, as a bird her nest,
Builded our hearts among.

She did not sing as we did –
It was a different tune –
Herself to her a music
As Bumble bee of June.

Today is far from Childhood –
But up and down the hills
I held her hand the tighter –
Which shortened all the miles –

And still her hum
The years among,
Deceives the Butterfly;
Still in her Eye
The Violets lie
Mouldered this many May.

I spilt the dew –
But took the morn –
I chose this single star
From out the wide night’s numbers –
Sue – forevermore!

Popularity: 2% [?]

I wonder if the sepulchre
Is not a lonesome way,
When men and boys, and larks and June
Go down the fields to hay!

Popularity: 1% [?]

The murmuring of bees has ceased;
But murmuring of some
Posterior, prophetic,
Has simultaneous come, –

The lower metres of the year,
When nature’s laugh is done, –
The Revelations of the book
Whose Genesis is June.

Popularity: 2% [?]

At the intersection of family history and literary scholarship, Carol Damon Andrews has found what may be the secret source of much of Emily Dickinson’s most interesting and passionate poetry: a doomed love affair with George Gould.

Gould was a student at Amherst College at the time, and a friend of Dickinson’s brother Austin. He worked on the Dickinson farm before going west to work on the railroads, and returned to Amherst to follow a career as a respected clergyman. And, according to the journal of Andews’ ancestor Ann Eliza Houghton Penniman, he was briefly engaged to Emily Dickinson, before her father “vetoed the whole affair, . . . and poor Emily’s heart was broken.”

Andrews is not the first to have proposed the Gould engagement theory; Genevieve Taggard explored the possibility in The Life and Mind of Emily Dickinson in 1930, presenting the “purloined valentine” that Taggard argued was intended for Gould. 1930, though, was a bit too close still to 1886, and Taggard’s search for Dickinson’s doomed love affair was quashed by the Dickinson family and the scholarly world. Dickinson as lovelorn spinster remains the received image of her, rather than Dickinson the passionate young woman.

Published in the June issue of The New England Quarterly, Andrews’ article discloses not only the sketch of this doomed affair but also Dickinson’s early musical education. Both revelations are of interest to Dickinson scholars and readers: that the musicality of her poetry has its roots at an earlier age than previously suspected (she was eight years old in the Penniman journal), and that her aching, longing love poetry is grounded in an all-too-real disappointment, enrich our understanding of her poetry, and add a human dimension to the “Belle of Amherst” prism through which we too often see her life.

That there was a flesh and blood source for Dickinson’s love poems–often bitter, frequently playful, sometimes passionate–should not come as a surprise to those who’ve spent some time reading them. And should come, too, as a relief to those who have shared with Dickinson “the kind of early romantic entanglement and disappointment that so many young people have,” as Christopher Benfey has it in Slate, that she made something so extraordinary from such ordinary sources.

Popularity: 2% [?]

They dropped like flakes, they dropped like stars,
Like petals from a rose,
When suddenly across the June
A wind with fingers goes.

They perished in the seamless grass, –
No eye could find the place;
But God on his repealless list
Can summon every face.

Popularity: 1% [?]