moon

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GHOSTS.One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place.

Far safer, of a midnight meeting
External ghost,
Than an interior confronting
That whiter host.

Far safer through an Abbey gallop,
The stones achase,
Than, moonless, one’s own self encounter
In lonesome place.

Ourself, behind ourself concealed,
Should startle most;
Assassin, hid in our apartment,
Be horror’s least.

The prudent carries a revolver,
He bolts the door,
O’erlooking a superior spectre
More near.

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The moon is distant from the seaThe moon is distant from the sea,
And yet with amber hands
She leads him, docile as a boy,
Along appointed sands.

He never misses a degree;
Obedient to her eye,
He comes just so far toward the town,
Just so far goes away.

Oh, Signor, thine the amber hand,
And mine the distant sea, –
Obedient to the least command
Thine eyes impose on me.

Happy birthday, Emily Dickinson! You certainly don’t look 177 . . .

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enduringly useful

Robert Pinsky, former United States Poet Laureate and poetry editor at Slate, discusses the task of popularizing poetry in a country where poetry is dead. Pinsky’s interests are wide-ranging, though: in addition to championing Dickinson (and Sylvia Plath, Langston Hughes, and Walt Whitman), he praises “The Simpsons” and “The Colbert Report” (“I think we’re in a great period of comedy, maybe our greatest period of comedy in American history”), Big Mama Thornton, Buddy Guy, and Professor Longhair.

Of particular interest is his useful distinction between a great song and a great poem:

The crucial distinction for me between something that may be a great song and poetry is, Does it depend upon the performer? The poem must sound like a poem in the voice of anyone who chooses to say it aloud.

To see and hear great poems in many voices, take a look at Pinsky’s Favorite Poem Project, which features normal folks reflecting on and reciting great words.

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PURPLE CLOVER.There is a flower that bees prefer,
And butterflies desire;
To gain the purple democrat
The humming-birds aspire.

And whatsoever insect pass,
A honey bears away
Proportioned to his several dearth
And her capacity.

Her face is rounder than the moon,
And ruddier than the gown
Of orchis in the pasture,
Or rhododendron worn.

She doth not wait for June;
Before the world is green
Her sturdy little countenance
Against the wind is seen,

Contending with the grass,
Near kinsman to herself,
For privilege of sod and sun,
Sweet litigants for life.

And when the hills are full,
And newer fashions blow,
Doth not retract a single spice
For pang of jealousy.

Her public is the noon,
Her providence the sun,
Her progress by the bee proclaimed
In sovereign, swerveless tune.

The bravest of the host,
Surrendering the last,
Nor even of defeat aware
When cancelled by the frost.

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THE LONELY HOUSE.I know some lonely houses off the road
A robber ‘d like the look of, –
Wooden barred,
And windows hanging low,
Inviting to
A portico,
Where two could creep:
One hand the tools,
The other peep
To make sure all’s asleep.
Old-fashioned eyes,
Not easy to surprise!

How orderly the kitchen ‘d look by night,
With just a clock, –
But they could gag the tick,
And mice won’t bark;
And so the walls don’t tell,
None will.

A pair of spectacles ajar just stir –
An almanac’s aware.
Was it the mat winked,
Or a nervous star?
The moon slides down the stair
To see who’s there.

There’s plunder, — where?
Tankard, or spoon,
Earring, or stone,
A watch, some ancient brooch
To match the grandmamma,
Staid sleeping there.

Day rattles, too,
Stealth’s slow;
The sun has got as far
As the third sycamore.
Screams chanticleer,
“Who’s there?”
And echoes, trains away,
Sneer — “Where?”
While the old couple, just astir,
Fancy the sunrise left the door ajar!

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