star

This heart that broke so long –
These feet that never flagged –
This faith that watched for star in vain,
Give gently to the dead –

Hound cannot overtake the Hare
That fluttered panting, here –
Nor any schoolboy rob the nest
Tenderness builded there.

There is a morn by men unseen –
Whose maids upon remoter green
Keep their Seraphic May –
And all day long, with dance and game,
And gambol I may never name –
Employ their holiday.

Here to light measure, move the feet
Which walk no more the village street –
Nor by the wood are found –
Here are the birds that sought the sun
When last year’s distaff idle hung
And summer’s brows were bound.

Ne’er saw I such a wondrous scene –
Ne’er such a ring on such a green –
Nor so serene array –
As if the stars some summer night
Should swing their cups of Chrysolite –
And revel till the day –

Like thee to dance — like thee to sing –
People upon the mystic green –
I ask, each new May Morn.
I wait thy far, fantastic bells –
Unto the different dawn!

Baffled for just a day or two –
Embarrassed — not afraid –
Encounter in my garden
An unexpected Maid.

She beckons, and the woods start –
She nods, and all begin –
Surely, such a country
I was never in!

One Sister have I in our house,
And one, a hedge away.
There’s only one recorded,
But both belong to me.

One came the road that I came –
And wore my last year’s gown –
The other, as a bird her nest,
Builded our hearts among.

She did not sing as we did –
It was a different tune –
Herself to her a music
As Bumble bee of June.

Today is far from Childhood –
But up and down the hills
I held her hand the tighter –
Which shortened all the miles –

And still her hum
The years among,
Deceives the Butterfly;
Still in her Eye
The Violets lie
Mouldered this many May.

I spilt the dew –
But took the morn –
I chose this single star
From out the wide night’s numbers –
Sue – forevermore!

“Sic transit gloria mundi,”
“How doth the busy bee,”
“Dum vivimus vivamus,”
I stay mine enemy!

Oh “veni, vidi, vici!”
Oh caput cap-a-pie!
And oh “memento mori”
When I am far from thee!

Hurrah for Peter Parley!
Hurrah for Daniel Boone!
Three cheers, sir, for the gentleman
Who first observed the moon!

Peter, put up the sunshine;
Patti, arrange the stars;
Tell Luna, tea is waiting,
And call your brother Mars!

Put down the apple, Adam,
And come away with me,
So shalt thou have a pippin
From off my father’s tree!

I climb the “Hill of Science,”
I “view the landscape o’er;”
Such transcendental prospect,
I ne’er beheld before!

Unto the Legislature
My country bids me go;
I’ll take my india rubbers,
In case the wind should blow!

During my education,
It was announced to me
That gravitation, stumbling,
Fell from an apple tree!

The earth upon an axis
Was once supposed to turn,
By way of a gymnastic
In honor of the sun!

It was the brave Columbus,
A sailing o’er the tide,
Who notified the nations
Of where I would reside!

Mortality is fatal –
Gentility is fine,
Rascality, heroic,
Insolvency, sublime!

Our Fathers being weary,
Laid down on Bunker Hill;
And tho’ full many a morning,
Yet they are sleeping still, –

The trumpet, sir, shall wake them,
In dreams I see them rise,
Each with a solemn musket
A marching to the skies!

A coward will remain, Sir,
Until the fight is done;
But an immortal hero
Will take his hat, and run!

Good bye, Sir, I am going;
My country calleth me;
Allow me, Sir, at parting,
To wipe my weeping e’e.

In token of our friendship
Accept this “Bonnie Doon,”
And when the hand that plucked it
Hath passed beyond the moon,

The memory of my ashes
Will consolation be;
Then, farewell, Tuscarora,
And farewell, Sir, to thee!

Acacia Theatre Company in Milwaukee, Wisconsin, will perform the world-premier production of Chris Cagan’s “Emily,” a play that tells the story of Emily Dickinson’s life, backwards. The play starts on Easter Sunday, 1860, when Dickinson was 29, and works back to 1848, when she was 17, tracing the origins of her disenchantment with religion and her growing seclusion from the outside world.

“The play begins with the end result – Emily’s seclusion – and works backward to a time when she was more social,” said Director Dr. David W. Eggebrecht. “It’s an interesting perspective, knowing what’s going to happen. It gives you insights into why she became the reclusive poet that she became. The traumas that occurred in her life accentuated her eccentricities and led her to become much more introspective.”

The playwright’s website has an excerpt from the play (in Microsoft Word format), a tense family dinner scene. Dickinson’s poetry is woven throughout, the play adding context to the verse while the poetry illuminates the domestic drama.

Readings of “Emily” have been performed at the Pacific Theatre in Vancouver and at the Drama Bookshop in New York City. Acacia’s performance will be its first full staging.

Performances will be given at 8 p.m. on Feb. 27, 8 p.m. on Feb. 28, 3 p.m. on March 1, 8 p.m. on March 5, 8 p.m. on March 6, 4 p.m. and 8 p.m. on March 7 and 3 p.m. on March 8.

Superfluous were the sun
When excellence is dead;
He were superfluous every day,
For every day is said

That syllable whose faith
Just saves it from despair,
And whose ‘I’ll meet you’ hesitates
If love inquire, ‘Where?’

Upon his dateless fame
Our periods may lie,
As stars that drop anonymous
From an abundant sky.

The moon was but a chin of gold
A night or two ago,
And now she turns her perfect face
Upon the world below.

Her forehead is of amplest blond;
Her cheek like beryl stone;
Her eye unto the summer dew
The likest I have known.

Her lips of amber never part;
But what must be the smile
Upon her friend she could bestow
Were such her silver will!

And what a privilege to be
But the remotest star!
For certainly her way might pass
Beside your twinkling door.

Her bonnet is the firmament,
The universe her shoe,
The stars the trinkets at her belt,
Her dimities of blue.