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A murmur in the trees to noteA murmur in the trees to note,
Not loud enough for wind;
A star not far enough to seek,
Nor near enough to find;

A long, long yellow on the lawn,
A hubbub as of feet;
Not audible, as ours to us,
But dapperer, more sweet;

A hurrying home of little men
To houses unperceived, –
All this, and more, if I should tell,
Would never be believed.

Of robins in the trundle bed
How many I espy
Whose nightgowns could not hide the wings,
Although I heard them try!

But then I promised ne’er to tell;
How could I break my word?
So go your way and I’ll go mine, –
No fear you’ll miss the road.

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EXPERIENCE.

EXPERIENCE.I stepped from plank to plank
So slow and cautiously;
The stars about my head I felt,
About my feet the sea.

I knew not but the next
Would be my final inch, –
This gave me that precarious gait
Some call experience.

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What soft, cherubic creaturesWhat soft, cherubic creatures
These gentlewomen are!
One would as soon assault a plush
Or violate a star.

Such dimity convictions,
A horror so refined
Of freckled human nature,
Of Deity ashamed, –

It’s such a common glory,
A fisherman’s degree!
Redemption, brittle lady,
Be so, ashamed of thee.

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After our long summer hiatus (which is not in any way to be confused with a vacation…), the Daily Dickinson poetry feed will resume on August 20, 2008. Enough daily poems are queued up to keep things rolling on a daily schedule for a good while.

Also starting on August 20: the Weekly Whitman site will do with Walt Whitman what Daily Dickinson has done with Emily Dickinson (though on a weekly rather than daily basis): regular poetry features, a photograph that captures the mood of the verse, and the occasional odd bit of news and linkage.

On the surface, no two poets are more dissimilar than Dickinson and Whitman. I think of Dickinson’s wry smile and ironic voice, against Whitman’s boisterous laugh and barbaric yawp; Whitman’s scatter shot verse against Dickinson’s precision; the tight, structured lines of Dickinson suspended between dashes, against the sprawling lines of Whitman that are too large to be contained by human pages; Whitman abroad in the world, roaming beyond the world, and Dickinson secluded in her rooms and garden while her mind travels through strange eternities.

And yet, these two poets share quite a lot as well. They are unmistakably American, making new kinds of poetry and inventing their own languages to express modern ideas. They are deeply concerned with the Soul–both tend to capitalize the word–but not so much concerned with orthodoxy. Strong personalities both, and complex; both contain, and revel in, their contradictions.

The pleasures of reading Dickinson and Whitman are certainly different; Whitman’s voice is thrilling in its cadences and in love with its loudness, while Dickinson invites us in close for whispered secrets that we may not understand until long after we’ve read her lines. But pleasure a-plenty lurks in both.

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I HAD A GUINEA GOLDEN.I had a guinea golden;
I lost it in the sand,
And though the sum was simple,
And pounds were in the land,
Still had it such a value
Unto my frugal eye,
That when I could not find it
I sat me down to sigh.

I had a crimson robin
Who sang full many a day,
But when the woods were painted
He, too, did fly away.
Time brought me other robins, –
Their ballads were the same, –
Still for my missing troubadour
I kept the ‘house at hame.’

I had a star in heaven;
One Pleiad was its name,
And when I was not heeding
It wandered from the same.
And though the skies are crowded,
And all the night ashine,
I do not care about it,
Since none of them are mine.

My story has a moral:
I have a missing friend, –
Pleiad its name, and robin,
And guinea in the sand, –
And when this mournful ditty,
Accompanied with tear,
Shall meet the eye of traitor
In country far from here,
Grant that repentance solemn
May seize upon his mind,
And he no consolation
Beneath the sun may find.

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If the foolish call them 'flowers'If the foolish call them ‘flowers,’
Need the wiser tell?
If the savans ‘classify’ them,
It is just as well!

Those who read the Revelations
Must not criticise
Those who read the same edition
With beclouded eyes!

Could we stand with that old Moses
Canaan denied, –
Scan, like him, the stately landscape
On the other side, –

Doubtless we should deem superfluous
Many sciences
Not pursued by learnèd angels
In scholastic skies!

Low amid that glad _Belles lettres_
Grant that we may stand,
Stars, amid profound Galaxies,
At that grand ‘Right hand’!

Podcast music by Antonio Meneses

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In her show at the Derek Eller Gallery in New York, sculptor Jessica Jackson Hutchins shows some Dickinsonian roots: The Exponent of Earth (You Make Me), with a title taken from Dickinson (and Richard Hell’s “Blank Generation” punk record; she’s married to former Pavement member Stephen Malkmus, and apparently used the Dickinson poem in their wedding vows).

According to the ArtCal review, Hutchinson’s work “embodies a sense of both the monumental and the intimate and personal”; sample pieces from the show can be seen on the gallery’s site, including intriguing works like “Relics from a Lonely Dinner Party,” “Conversation betweenThings,” and “All the Holes in the Moon.” There’s a stark roughness to these pieces, but also a hint of fragility. Certainly worth a visit if you’re in the neighborhood.

Love—is anterior to Life—
Posterior—to Death—
Initial of Creation, and
The Exponent of Earth—

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MinnPost’s David Hawley has more information about Friday’s Dickinson marathon at the University of St. Thomas in St. Paul, Minnesota, which starts at 8 AM at Frey Library. According to Prof. Erika Scheurer, who organized the event, this Dickinson reading is more populist than most: instead of a stage, there are groupings of comfortable chairs; and spectators are encouraged to pick up the thread as the poems roll along.

In addition to the reading, there will be a continuous viewing of the Julie Harris “Belle of Amherst” film, and a chance to “Create Your Own Dickinson Poem” from cut-up lines (Dickinson meets William S. Burroughs?). And if 8 PM comes around and poem 1,789 hasn’t been read yet, the event decamps to Koch Commons until midnight.

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