That after Horror — that ’twas us –
That passed the mouldering Pier –
Just as the Granite Crumb let go –
Our Savior, by a Hair –

A second more, had dropped too deep
For Fisherman to plumb –
The very profile of the Thought
Puts Recollection numb –

The possibility — to pass
Without a Moment’s Bell –
Into Conjecture’s presence –
Is like a Face of Steel –
That suddenly looks into ours
With a metallic grin –
The Cordiality of Death –
Who drills his Welcome in –

Teach Him — When He makes the names –
Such an one — to say –
On his babbling — Berry — lips –
As should sound — to me –
Were my Ear — as near his nest –
As my thought — today –
As should sound –
“Forbid us not” –
Some like “Emily.”

‘T was just this time last year I died.
I know I heard the corn,
When I was carried by the farms, –
It had the tassels on.

I thought how yellow it would look
When Richard went to mill;
And then I wanted to get out,
But something held my will.

I thought just how red apples wedged
The stubble’s joints between;
And carts went stooping round the fields
To take the pumpkins in.

I wondered which would miss me least,
And when Thanksgiving came,
If father’d multiply the plates
To make an even sum.

And if my stocking hung too high,
Would it blur the Christmas glee,
That not a Santa Claus could reach
The altitude of me?

But this sort grieved myself, and so
I thought how it would be
When just this time, some perfect year,
Themselves should come to me.

It struck me every day
The lightning was as new
As if the cloud that instant slit
And let the fire through.

It burned me in the night,
It blistered in my dream;
It sickened fresh upon my sight
With every morning’s beam.

I thought that storm was brief, –
The maddest, quickest by;
But Nature lost the date of this,
And left it in the sky.

I felt a funeral in my brain,
And mourners, to and fro,
Kept treading, treading, till it seemed
That sense was breaking through.

And when they all were seated,
A service like a drum
Kept beating, beating, till I thought
My mind was going numb.

And then I heard them lift a box,
And creak across my soul
With those same boots of lead, again.
Then space began to toll

As all the heavens were a bell,
And Being but an ear,
And I and silence some strange race,
Wrecked, solitary, here.

On January 12, 2009, the words of Emily Dickinson will return to the London Underground. Not, though, as part of the Poems on the Underground series, which has featured Much madness is divinest sense, I taste a liquor never brewed, and There came a Wind like a Bugle in the past.

Instead, two lines from Dickinson will be part of the British Humanist Association’s Atheist Bus campaign:

That it will never come again
Is what makes life so sweet.
Believing what we don’t believe
Does not exhilarate.

That if it be, it be at best
An ablative estate –
This instigates an appetite
Precisely opposite.

The campaign on the Underground will also feature Douglas Adams, Albert Einstein, and Katherine Hepburn. The choice–of Dickinson in general, and these words in particular–is thought-provoking.

Dickinson was certainly a skeptic. Though she lived in a world charged with religious and spiritual fervor–the last waves of the Second Great Awakening, Calvinist pietism, Emersonian Transcendentalism–she paddled against the general stream. Though she attended the Mount Holyoke Seminary, Dickinson never “converted” like so many of her peers. “Christ is calling everyone here,” she wrote in an 1850 letter, “all my companions have answered, even my darling Vinnie believes she loves, and trusts him, and I am standing alone in rebellion.”

But an atheist? I’m not entirely convinced. Dickinson’s approach to religion was certainly ironic, skeptical, sometimes sacrilegious, often playful. In her poems about death in particular, she strikes some pretty hard blows against religious beliefs. Safe in their alabaster chambers, for example, notes the eternal sleep of the “meek members of the resurrection” while “[g]rand go the years in the crescent above them”; Death, for Dickinson, is a particular Eternity, with no sounding trumpet on Judgment Day.

But God–or a god of some sort–is strongly present in many of her poems. In some cases, it seems to be a Calvinist God–remote, unknowable, harsh. In other cases, as in her poems about the loss of loved ones, there seems to be a consoling God:

They perished in the seamless grass, –
No eye could find the place;
But God on his repealless list
Can summon every face.

More often, “God” seems to be a metaphor for something–universal order, the grandeur of nature, time–larger than the individual. There’s much vastness in these short poems, and much wonder. Dickinson certainly rejects the trappings of church and piety, and is at the very least unorthodox, heretical, and strongly critical of religion. But she is very much of her time and place all the same, and not easily made to fit into contemporary atheist or humanist garb. If anything, she reminds me most of the Nontheist Friends, a particularly slippery sort of Quaker.

That the Atheist Bus campaign picked this particular Dickinson poem, and these specific lines, is interesting. It’s certainly an aphoristic statement, and it echoes the “stop worrying and enjoy your life” catchphrase of the campaign. But the second two lines–”Believing what we don’t believe / Does not exhilarate”–seems more consistent with Dickinson’s poetry, and, to be honest, much less trite; I could almost picture “That it will never come again / Is what makes life so sweet” printed on the pedestal of a “Precious Moments” figurine. There are better, more searing quotes available–her poem on the inefficacy of prayer, for example, or her playful mocking of a Heavenly afterlife:

I ‘m glad I don’t believe it,
For it would stop my breath,
And I ‘d like to look a little more
At such a curious earth!
I am glad they did believe it
Whom I have never found
Since the mighty autumn afternoon
I left them in the ground.

We need to be careful when marshaling the dead to our contemporary causes, particularly the subtle dead like Dickinson. Her concerns were not necessarily ours, and her approach to doubt and faith much more nuanced than what we hear now on either side of the debate. I don’t know that she’d be bothered to be on the Atheist Bus posters–she’d probably find it more than a little funny–but her smile would be more than a touch wry.

It is an honorable thought,
And makes one lift one’s hat,
As one encountered gentlefolk
Upon a daily street,

That we’ve immortal place,
Though pyramids decay,
And kingdoms, like the orchard,
Flit russetly away.

Heart, we will forget him!
You and I, to-night!
You may forget the warmth he gave,
I will forget the light.

When you have done, pray tell me,
That I my thoughts may dim;
Haste! lest while you’re lagging,
I may remember him!

The farthest thunder that I heard
Was nearer than the sky,
And rumbles still, though torrid noons
Have lain their missiles by.
The lightning that preceded it
Struck no one but myself,
But I would not exchange the bolt
For all the rest of life.
Indebtedness to oxygen
The chemist may repay,
But not the obligation
To electricity.
It founds the homes and decks the days,
And every clamor bright
Is but the gleam concomitant
Of that waylaying light.
The thought is quiet as a flake, –
A crash without a sound;
How life’s reverberation
Its explanation found!

I felt a clearing in my mind
As if my brain had split;
I tried to match it, seam by seam,
But could not make them fit.

The thought behind I strove to join
Unto the thought before,
But sequence ravelled out of reach
Like balls upon a floor.